
Verdict / Nightfeeder: Död Åt Tyranner Split 12"
USA vs. Sweden, Nightfeeder vs. Verdict ... or maybe better to say two d-beat all star teams, common split LP, total d-beat / raw punk madness? Just imagine something like this: Consume, State Of Fear, Disrupt, Deathraid, Phalanx, Disabuse, Decrepit, Inhaste vs. Exploatör, Warcollapse, 3-Way Cum, Unarmed, Totalitär, No Security, Meanwhile, Krigshot, Dischange, Varoitus, Dischange, Burning Kitchen .. etc. etc.
Our take: When I saw this split announced, I was immediately like, “oh fuck… this is going to be really good.” The recipe here is promising: two veteran bands operating at the height of their powers, playing music that’s very much in the same vein, but each band having their respective idiosyncrasies that give them a signature style. The pairing is inspired, but do the tracks live up to expectations? Yes, my friend, they do. In fact, I can’t get over how fucking great this split is. I should probably buy two copies because I can see right now I’m going to wear a hole in this thing, and if it doesn’t land near the top of my “Best of 2026” list, it will have been a very good year for hardcore punk indeed. First up, the Nightfeeder side. I have loved every single Nightfeeder release thus far, but I’m tempted to say the eight tracks they contribute to this split are the best thing they’ve done yet. It’s not as if they shake up the formula. As ever, their presentation is super unpretentious, the songs light on bells and whistles and with the focus firmly on the rock-solid, meat-and-potatoes riffing. Those riffs are so perfectly constructed that it feels like they have existed for a million years, and were they arranged in the simplest possible fashion—four of the verse riff, four of the chorus riff, repeat and stop—the songs would already be stellar. (Especially given the absolutely perfect d-beat drumming here, which varies the tempo to keep things interesting yet never stops dripping with groove.) Nightfeeder is way, way too good to half-ass things, though. They know the meat and potatoes are the stars of the show, but the flavor can be maximized with a subtle mix of spices. I have a feeling I’ll be noticing the little touches in these songs for many months and years to come, but off the top of my head there’s: the way the vocals sometimes devolve into inchoate scream on tracks like “Climbing the Walls;” the noisy, Discharge-style chorus on “Cursed Ruins;” the “you-think-you’re-gonna-slam-but-you’re-not” mosh riff teases in “Dragged Beneath” and “Born to Suffer;” the huge vocal hook in the chorus to “Born to Suffer;” the thrashy riffing in “Life’s Fool Pit” (a complex song by Nightfeeder standards with a lot more parts than usual, but they fit together perfectly); the outro of “Launch Codes” when the drums start playing backward. Man, this shit is just PERFECT. Verdict has a lot to live up to on their side of the split, but they meet the moment and deliver what might be their best material too. While Nightfeeder’s tracks lean more restrained and groovy, Verdict emphasizes speed, their tracks generally faster than Nightfeeder’s, with rhythms that are unimpeachably tight, yet slightly ahead of the beat, thrillingly riding that line between chaos and control. The more crowded mix places the focus on the manic speed, but when you listen closely, you realize Verdict are also masters of the riff… in fact, the riffs in songs like “War on the Streets” and “Never Ending Struggle” are so prototypical that you could imagine them as Nightfeeder songs just as easily as Verdict songs. One area where Verdict is unmatched, though, is their talent for crafting breakdowns and mid-paced parts. It’s so hard to work a breakdown into a d-beat song without sounding cheesy, but “I’m Not Built to Last” and “End All This Crap” are textbook examples of how to do it right. And the fully mid-paced track “Narcissistic Piece of Shit?” GET THE FUCK OUT OF HERE. I’m dead. I really can’t get over how great this split is. Every time I finish a side, I think, “this side rules!” Then I play the other side and think, “this side rules!” Then I go back to the first side and think, “this side rules!” It’s an infinite loop I wouldn’t mind getting lost in forever.
Original: $856.00
-70%$856.00
$256.80Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
USA vs. Sweden, Nightfeeder vs. Verdict ... or maybe better to say two d-beat all star teams, common split LP, total d-beat / raw punk madness? Just imagine something like this: Consume, State Of Fear, Disrupt, Deathraid, Phalanx, Disabuse, Decrepit, Inhaste vs. Exploatör, Warcollapse, 3-Way Cum, Unarmed, Totalitär, No Security, Meanwhile, Krigshot, Dischange, Varoitus, Dischange, Burning Kitchen .. etc. etc.
Our take: When I saw this split announced, I was immediately like, “oh fuck… this is going to be really good.” The recipe here is promising: two veteran bands operating at the height of their powers, playing music that’s very much in the same vein, but each band having their respective idiosyncrasies that give them a signature style. The pairing is inspired, but do the tracks live up to expectations? Yes, my friend, they do. In fact, I can’t get over how fucking great this split is. I should probably buy two copies because I can see right now I’m going to wear a hole in this thing, and if it doesn’t land near the top of my “Best of 2026” list, it will have been a very good year for hardcore punk indeed. First up, the Nightfeeder side. I have loved every single Nightfeeder release thus far, but I’m tempted to say the eight tracks they contribute to this split are the best thing they’ve done yet. It’s not as if they shake up the formula. As ever, their presentation is super unpretentious, the songs light on bells and whistles and with the focus firmly on the rock-solid, meat-and-potatoes riffing. Those riffs are so perfectly constructed that it feels like they have existed for a million years, and were they arranged in the simplest possible fashion—four of the verse riff, four of the chorus riff, repeat and stop—the songs would already be stellar. (Especially given the absolutely perfect d-beat drumming here, which varies the tempo to keep things interesting yet never stops dripping with groove.) Nightfeeder is way, way too good to half-ass things, though. They know the meat and potatoes are the stars of the show, but the flavor can be maximized with a subtle mix of spices. I have a feeling I’ll be noticing the little touches in these songs for many months and years to come, but off the top of my head there’s: the way the vocals sometimes devolve into inchoate scream on tracks like “Climbing the Walls;” the noisy, Discharge-style chorus on “Cursed Ruins;” the “you-think-you’re-gonna-slam-but-you’re-not” mosh riff teases in “Dragged Beneath” and “Born to Suffer;” the huge vocal hook in the chorus to “Born to Suffer;” the thrashy riffing in “Life’s Fool Pit” (a complex song by Nightfeeder standards with a lot more parts than usual, but they fit together perfectly); the outro of “Launch Codes” when the drums start playing backward. Man, this shit is just PERFECT. Verdict has a lot to live up to on their side of the split, but they meet the moment and deliver what might be their best material too. While Nightfeeder’s tracks lean more restrained and groovy, Verdict emphasizes speed, their tracks generally faster than Nightfeeder’s, with rhythms that are unimpeachably tight, yet slightly ahead of the beat, thrillingly riding that line between chaos and control. The more crowded mix places the focus on the manic speed, but when you listen closely, you realize Verdict are also masters of the riff… in fact, the riffs in songs like “War on the Streets” and “Never Ending Struggle” are so prototypical that you could imagine them as Nightfeeder songs just as easily as Verdict songs. One area where Verdict is unmatched, though, is their talent for crafting breakdowns and mid-paced parts. It’s so hard to work a breakdown into a d-beat song without sounding cheesy, but “I’m Not Built to Last” and “End All This Crap” are textbook examples of how to do it right. And the fully mid-paced track “Narcissistic Piece of Shit?” GET THE FUCK OUT OF HERE. I’m dead. I really can’t get over how great this split is. Every time I finish a side, I think, “this side rules!” Then I play the other side and think, “this side rules!” Then I go back to the first side and think, “this side rules!” It’s an infinite loop I wouldn’t mind getting lost in forever.












